马鼎盛军事观察
视频简介
1998年5月2日,日本视觉系摇滚音乐人hide溘然长逝,他的离去给摇滚乐坛带来极大的冲击,也在广大歌迷的心中留下难以愈合的创痛。即使已经过了20年,关于hide的一切仍时时被人提起。他是视觉系摇滚鼻祖X JAPAN的主音吉他手,SOLO之后以个人名义相继推出《hide your face》《Psyence》《Ja Zoo》等大碟,多变的曲风和走在时代前沿的潮流设计让他闯出了一条全新的道路。粉红色的蜘蛛魂归天国,不停旋转的木马仍在诉说着旧日传奇,无法轻易say goodbye,干脆酷酷地变成火箭一飞冲天。 本纪录片跟随青年演员矢本悠马的脚步,一同追忆了hide生命中最后一段时光。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。
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